UNDAS may have been behind us and we are about to focus on Christmas decorating but at least we’re trying to catch up as we are occupied with the ongoing Swiping through the 2010s project, despite that this post will not be part of it.
Put on your scary expressions on a la Kabayan Noli De Castro and let’s begin finding out which of the programming genres in Philippine television are considered dead, as of this imminently ending decade.
How Can A Program Genre Consider To Be Dead?
To be considered “dead,” there must be no surviving, stand-alone program of a particular genre running as of press time.
Noticeably, the most dominant yet contemptible Philippine Movie Press Club’s Star Awards for Television has few categories that are discontinued to be awarded, which would be helpful for the development of this post.
So far, three categories are deemed no longer airing:
- Last programs known: People vs. the Stars (original), Minute to Win It (franchised)
Game shows may be original or franchised but their goal, other than to entertain us, is to gain knowledge. For the Batang 90s, they will remember the Battle of the Brains, Digital LG Quiz, Who Wants to Be A Millionaire (under Christopher de Leon) and Pilipinas, Game KNB? (under Kris Aquino)
As this decade progressed, the type of players of game shows shifted away from ordinary people to exclusive celebrities (who don’t have any committed projects or has free time) as a form of preventing defection to another network. This happened when the Turf observed and expressed over Family Feud under ABS-CBN in 2016.
Consequently, they moved on by capitalizing on other types of game shows that do not need stock knowledge (like MTWI) before being scrapped altogether for more teleseryes and expanding competition shows on weekends.
While they enjoy success in ratings and in the bottom line, it comes at a cost — audience participation and other functions of cerebral capacity. In other words, the accusations of promoting “escapism” and “dumbing down” the audience while the network execs fear of cheating since Internet access is now an easy reach to get the answers.
If there are any plans to revive this thing; well, good luck with that.
- Last program known: Luv U (ABS-CBN)
For B90s and 2Ks, this genre used to be part of their weekend afternoon lineup usually before their respective showbiz-oriented shows. You may have watched Tabing Ilog, Gimik, T.G.I.S., Click, Joyride and Tween Hearts.
This particular genre used to exemplify the struggles of adolescence and how they coped with it. We guess it fell out of relevance with the generational divide due to the radical change of preference; Generations Z and Alpha would rather watch their suited shows on Netflix and other video-on-demand (VOD) platforms over television the earlier phases of Millennials harnessed.
Hey, what about Maynila? Despite some young thespians acting, it’s considered an anthology; sorry, it’s not counted.
- Last program known: Startalk (GMA)
During weekend afternoons, we used to dedicate at least an hour for straightforward news and interviews from their exclusive talents. It ended in 2015 when The Buzz and Startalk pulled the plug and replaced it with comedy (Banana Sundae and Dear Uge, respectively).
They blamed it on the prevalence of social media. But then, the new platform is not as best as it’s perceived due to its angle on the netizens’ comments and ownership of online outlets. For example, LionHearTV was accused of aligning with ABS-CBN while Philippine Entertainment Portal happens to be a subsidiary of GMA Network, Inc.
Nevertheless, the pullout has made a big mistake.
Just last month, the scuffle of the Barretto sisters during the wake of their patriarch has set two separate days of exclusive interviews in TV Patrol by separate journalists (Karen Davila and Noli de Castro) to hear their sides, consuming significant airtime that should have been for more important items.
Hence, netizens are mulling for their revival. To be fair, why can’t they even learn from Entertainment Tonight?
ET is still alive for almost four decades, despite social media presence and competitors. A salient difference is that their show is syndicated and its editorial policy reaches beyond the borders of the media conglomerates, for which we are obviously lacking. (Sad to say, this is irredeemable to get out of that mindset.)
Not Dead Yet / Unclear
Bubble Gang is the only surviving show of this particular genre since Goin’ Bulilit bowed out last August. Unless their founder, Michael V, retires or leaves the network for good, the answer is NO for now.
This doesn’t mean anime or cartoons; it’s an informative genre produced by the network or third-party producer that has an existing partnership with the network for the said particular group — think of it like 5 and Up (1992-2002) or Penpen de Sarapen (RPN, 1987-2001).
Today, the South Triangle Duopoly doesn’t care about putting this anymore*; the last program under them was Tropang Potchi (GMA 7, 2009-15).
Thus, it’s up for denomination-backed UHF networks to the rescue; no wonder, NET 25 consistently got Anak TV Seal Awards and with that, they plastered the Anak TV logo proudly during their episodes.
LITTLE FUN FACT: In the recent edition of the PMPC Star Awards for TV, the best of this genre and its hosts were awarded to Talents Academy of IBC 13.
*SIDE NOTE: While we said that the main channels of the South Triangle no longer airs, ABS-CBN’s exclusive digital subchannel for kids, Yey, has its own children show Team Yey! Yet, the PMPC has not realized it existed and thus, were not included in the four consecutive years of nominations.
This genre is generic and unclear. Some shows are labeled “reality” (i.e. a misnomer) such as The Voice and Pinoy Big Brother; the former is considered a talent competition but we will elaborate a bit later on the latter.
But first, does anyone remember Extra Challenge that was once hosted by Paolo Bediones? After six years of hiatus, they rebooted as Extra Challenge Extreme (which was hosted by Richard Gutierrez) by from 2012-2013 but it aired on weekends and ended up in a dud.
PBB was a successful, franchise reality show — in terms of the unique style of chronicling — but this show’s initial purpose was defeated right after its first season. From then on, whoever wins (or almost) after each iteration will use it a springboard to stardom in the main network.
Are there other genres you considered to be “dead?”
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