Bukas May Kahapon

If There Is No More ABS-CBN Again (Part 2): How Will Their Competitors Respond?

[WARNING: This post contains insights that are whimsical; if you have different points, feel free to comment your differences. Read at your own risk.]


ABS-CBN Soundstage

One of the concerns if ABS-CBN stops broadcasting is how to maintain their Horizon soundstage in San Jose Del Monte, Bulacan. Will they open up for their competitors to rake in potentially lost revenue?


IN THE FIRST PART, we determined the background behind their hatred against Mother Ignacia and the sacrifices and the ethical questioning behind their programming operations that lead to their success for the past 10 years.

The hanging question remains unsolved: What if the keyboard and mobile chauvinists have it their way?

The short answer: FPJ’s Ang Probinsyano would finally end at last after four years. No more It’s Showtime and no more GGV and that means, no more lollygagging from Vice Ganda.

But the long answer is somewhat complicated.

Despite the rise of video-on-demand platforms, traditional TV remains the most dominant medium for information and entertainment. In other words, the loyal Kapamilyas and even avid viewers of their selected programs will have to enter cold turkey instantly.

Without a mode of exposure, artists (especially, the fresh ones) will lose an opportunity to build their careers in their resume; as a result, there will be an oversupply.

Hundreds of exclusive artists will all be, in theory, freelancers but some personalities have backup agencies. For example, Anne Curtis, Vice Ganda and Sarah Geronimo are all VIVA talents and with that, VIVA’s boss Vic del Rosario has the right to ink a deal with any remaining network and they would still get TV exposure. Those talents who don’t have a backup agency would be out of luck unless they planned ahead to take up entrepreneurial ventures like KathNiel with their barbershop business.

Thousands of employees from news and sports departments could get reassigned or get the pink slips. Newscasts, including regional ones, would undergo as exclusively digital akin to Rappler.

Current multi-year contracts with this network when it comes to sports (e.g. MPBL, NCAA and UAAP) and entertainment (e.g. Miss Universe and PMPC Star Awards) will really need to find a new home.

Sure, there is iWant to carry over the remaining episodes and some of their finished programs are ready for syndication to their soon-to-be-former rivals.

The over-all analog switch-off might be delayed and the Full HD progress would be stalled. The network have done both feats very seriously and had they continue to operate, they will be the frontrunner in testing 4K UHD.

In terms of the TVPlus’ functionality, their encryption should come to an end and the apparatus would be treated as a regular DTV converter box or it would longer be useful.

It’s not just the TV frequencies that would be gone, so too would be their radio stations under their ownership like — in the case of Metro Manila — MOR 101.9 and DZMM 630. (No more DJ Chacha for advice and no more Dos por Dos for engaging commentaries for motorists in the afternoon rush hour.)

Other non-broadcast ventures like Star Cinema, Star Music and ABS-CBN Publishing will continue to operate. Their promotion would need communication of consent with other rival TV networks.

Their facilities outside Mother Ignacia like the new Soundstage in San Jose Del Monte, Bulacan could be opened up to their competitors for rentals or for lease in order to make up the lost revenue.

Competitors’ Response

With Mother Ignacia suddenly disappeared, Kantar’s and Nielsen’s database for measuring TV ratings would change drastically and so are its entertainment reports in both broadsheets and tabloids.

Losing ABS-CBN for good (or for at least two years) can make a significant difference in the Philippine TV landscape.

Before their very eyes, what will happen to the rest of the competitors? Will they replicate the silver linings or successes in certain aspects that Mother Ignacia currently enjoys?

In a short answer, three rival entities (with four VHF channels) will have an individual, significant response; CNN Philippines is out of the picture and sectarian UHF networks are barely affected.


For the simpletons, the possibly-former rival will be the undisputed winner in the new TV ratings game as it would hold the virtual monopoly on general entertainment.

Financial-wise, this media company generated 15.236 billion pesos in revenue in 2018 (which is 38% of ABS’) with the asset composition being 62% equity compared to 42% equity from Mother Ignacia. Net income was 15.1% of revenue compared to ABS’ 4.7%.

When it comes to broadcasting divisions, GMA has almost everything that ABS-CBN has except for a full-time sports department.

As this year celebrates itsĀ  70th corporate anniversary, a grand homecoming would happen. Will GMA repatriate Ogie Alcasid, Regine Velasquez and Ryza Cenon? Assuming they have returned, will the entertainment department give the displaced talents more exposure and better roles on their upcoming projects?

In the past decade, Timog Avenue’s reality competition shows tend to be “original.” Without ABS-CBN, their mindset should be changed gradually but let’s not be surprised if they are contented with status quo.

In terms of technical aspects, GMA has a varying, inconsistent application in Full HD. While their selected shows on mobile and online are in high definition and on 16:9, TV remains at 4:3. (To borrow Nadine Lustre, ano na, 2020 na!)


The 5 Network

In the eyes of its apologists, the Network from Reliance is perceived as a safe harbor for the displaced artists just because it’s on the nearest neighboring frequency (if you skipped PTV). This would help Jane Basas’ intention of reinstating entertainment programs. The only threat to this opportunity is the ire for insistent, immature anime fans and loyal sports aficionados in social media.

For the time being, TV5 will be No. 2 when Deuce is suddenly gone since entertainment programs have to be pitched first before getting the green light.

A network fan pitched a comprehensive overhaul of Big Brother if the current right’s holder is gone. To be honest, that program franchise is nearly at the declining trend (although we can still continue) but his favorite show, The Amazing Race, is already at that stage. Maybe it’s time to get a new, rising franchise competition show like Lego Masters or to live on the legacy, The Masked Singer.

As of this publication date, the best of Face to Face is airing in the afternoon after Aksyon sa Tanghali. Without Dos, Tiyang Amy Perez can resume her stint and it should be aired on their last timeslot in the late morning so as not to offend the current iconic personality of the network, Raffy Tulfo.

While ABS-CBN currently enjoys the two aforementioned technical advancements, 5 has yet to undertake them very seriously (In addition, their channels are not scanned consistently or at all in DTV set-top boxes — not even on TVPlus).


Government-Owned Media Networks

In aggregate, PTV and IBC generate a bit more than 250 million pesos in 2018. Comparing that to ABS, they need to exert 160 times more effort to earn the level of revenue. When it comes to net income, it’s in the negative (without PCOO subsidy).

While PTV can open up commercial advertisements in the amended charter, they haven’t been that successful to keep up. Why? Public’s reputation, internal network culture, and restrictive mindset. Let’s face it, both GOCCs are not successful cash cows; they are not like PCSO or PAGCOR.

We published a proposed license fee mechanism back in 2017 to generate stable levels of revenue since home shopping, long-time infomercials, long-time blocktimers and part of Lotto games are too varying and not enough to recoup the deepest costs but we admit that it wasn’t a popular measure.

An avid viewer of this network wants to put displaced talents who happened to be a VIVA talent into the network just like in the 1990s. But with this jammed default mindset, it’s asinine, impossible, since Vasra always prioritizes the old man in Malacanang.

Special Case for IBC

Under the governance of the Kabayan’s (Noli de Castro) daughter (Kat) last year, she inherited Old Balara’s financial position under the capital deficiency territory — which means that the measured liabilities are more than its measured assets. (This is much worse than the total assets of which the majority of it is in debt that ABS currently stands.)

Throughout the period, they started to improve its programming (thanks to SMAC Television Production) but the financial performance is yet to be seen.

Last year, two Star Magic talents starred on that channel: Ritz Azul acted in the teleserye Bukas May Kahapon and Heaven Peralejo (the niece of Rica) became the co-host performer of weekend variety show SMAC Pinoy Ito. This year, Awra Briguela (Makmak of FPJAP) will join in the Gen Z-casted noontime show, Yes Yes Yow.

When it comes to Old Balara’s technical aspects in digital television, they take their tests seriously than her sister network amidst a 480i (standard definition) resolution.

That being said, for the time being, Channel 13 cannot be replicated as the #1 network as it was claimed during the first shutdown half a century ago.


Without 101.9, the newest member, DJ Chico, could come back home to Energy FM 106.7. Their loss could also mark 105.9’s opportunity, which means, it’s going to be another rebrand and reformat.

Without DZMM, Radyo Patrol reporters will be scattered to other AM radio stations or create an independent media production.

Final Thoughts

Sure, there are moral lessons in this worst-case scenario of such intervention to glean on — there is a time to swallow on one’s pride and greed.

Shutting down the major media entity’s core business segment will never be enough for their satisfaction; it’s rather a beginning set by these vengeful keyboard nationalists of a bloody battle.

For the die-hard fanatics of this embattled network, their life is now facing danger.

The financial data that was used in the calculation were from their 2018 audited financial reports that are downloadable from their investor relations page (for ABS-CBN and GMA) and from the Commission on Audit website (for PTV and IBC). The 2019 figures are not yet available as they are currently under audit.

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Photo courtesy of ABS-CBN.com

Let’s Talk SMAC

[AUTHOR’S NOTE: This post may offend certain supporters or die-hard loyalists of any network or entity involved. For that, I apologize if it hurts but I have to stand on my perspective.]

SMAC Television Production

Five nominations from PMPC in two TV networks are associated with SMAC Television Production this year.

LAST MONTH, the Philippine Movie Press Club (PMPC) announced the nominations for their 33rd Star Awards of Television. The winners will determine this Sunday (October 13) and its delayed telecast is expected to be at least on the following Sunday (October 20) on ABS-CBN.

With much of a surprise, for the first time since 2012, IBC 13 was nominated more than once — seven to be exact (excluding the Best TV Station):

  • ASK TV: Artihan, Sayawan at Kantahan for Best Variety Show
  • SMAC Pinoy Ito! for Best Musical Variety Show*
  • Cooltura for Best Travel Show
  • Talents Academy for Best Children Show
  • JB Paguio on Bukas May Kahapon for Best New Male TV Personality*
  • Kris Tiffany Janson and Pat Natividad on Cooltura for Best Travel Show Host
  • Fred Lorinz Bacay, Janella Glissman, Zandi Gabriel Miranda and Anastacia Paronda on Talents Academy for Best Children Show Hosts

Their nominations are now one more than TV5. Two of the aforementioned items in asterisk were associated with SMAC Television Production, which also produces three other nominations (classified under NET 25, though they no longer air there):

  • Bee Happy, Go Lucky for Best Variety Show
  • Klinton Starto for Best New Male TV Personality
  • Rayantha Leigh for Best New Female TV Personality

Brief History of SMAC

Okay, what does SMAC stand for?

It does not stand for SM Advantage Card but Social Media Artists and Celebrities. As it says on the tin, their talents are hired in the age of social media since 2013. In their official website, they also have their own charity program called Gawad Kabataan Pilipinas.

In its early years, their series was exclusively online through their YouTube channel Celebrity Channel TV (now defunct).

However, to further expand their presence and recognition, they had to sign a deal with a TV network. In 2018, they have a TV deal with Net 25. During their stay at the UHF network, their finished products include the Koreanovela-inspired teleserye “Prodigal Prince” and “Galing ng Pinoy.

Enter Ms. Kat de Castro as the boss of Old Balara earlier this year, the production company moved and christened a new slogan for the station as the Kaibigan Network.

In March, they aired the first teleserye in their new home called Bukas May Kahapon. Then, they aired reality competitions: My Ultimate Modelo and Artista Teen Quest. They also have a Sunday special there but not at the evening.

Without a doubt, SMAC’s portfolio is on local entertainment content and not sports nor foreign programming. (Please do not request for tokusatsu shows and animes.)

For those who missed any highlights of any of their shows, there is an official (current) YouTube channel.

Current Plans

New Noontime Show

SMAC is planning to air their own noontime variety show titled Yes Yes Yow, marking the revival of broadcasting that particular genre for Channel 13 since Chowtime Na! ended in 2006.

Last August 17, an audition post was published on their official Facebook page:

Later on, they are scouting other talents for named segments.

Deductively speaking, their noontime show will be hosted by Generation Z for Generation Z. They will premiere this Monday (October 14) and will air weekdays (i.e. no Saturdays) from noon to 1:00 p.m.

However, bear in mind the following warnings:

  • It may not be live. Their initial audition bill suggests that the show might be taped. If it is true, it is considered one sign of easy program mortality.
  • The potential hosts will have to adjust. Teenagers — especially, below 18 — who auditioned and are qualified by the talent scouting entity will have to balance their studies and work.
  • The TV network airs at low power. The ongoing financial and operational crunch in the network has led to transmitting power to be downgraded since April 2017. In addition, some cable providers delisted IBC 13 from their lineup, even though it would violate the must-carry rule. For sure, they could do a live stream on their official handles.
  • There is barely public recognition. If you tell the general public about this program, they will just shrug dismissively since the respondents — even on its intended market — are almost all accustomed to belong in either of the two of the South Triangle Duopoly. In addition, running this show in an hour affirms another greater risk of program mortality since the giants’ end theirs at 2:30 (for GMA) and 3:30 or later (for ABS-CBN). (Although, the latter sentence is excusable due to their capability.)

Whatever it takes, whatever it happens, we wish them the very best.

Other Shows

Other offerings of SMAC happening this month include:

  • Sayaw Pilipinas (premiering October 19, every Saturday, 4-5 p.m.)
  • Pare Kuys (also premiering on October 19, every Saturday, 5:30-6 p.m.)

SMAC Pinoy Ito returns on its third season in a new timeslot every Sunday, 5-6 p.m. beginning October 20.


Although they may certainly not win the nominations this Sunday (we’re not going to say any further reasons), we hope that their nominations are good enough as badges of their honor.

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Photo courtesy of SMAC Television Production/ TrendBloggeronline.com

Timow’s Turf Midyear Report 2019

JULY already?

By George, it’s time for the annual traditional compendium of what has happened over our media in the halftime of final year of the 2010s.

This year, we’ll tackle about five developments that happened during the first half; all had one underlying thing: finding a better purpose.