Good Laffternoon

Timow’s Turf Midyear Report 2021


[Updated October 22, 2021]

ONE YEAR AGO today, the House of Representatives triggered a mercy shot on Mother Ignacia, completing the President’s premeditated plot that was four years in the making. The repercussions triggered around the national TV industry amidst the global pandemic. 

For GMA Network, it’s given them inevitable crowning glory and a free pass.

For TV5, it triggered the execution of the revival of local entertainment after four years.

For CNN Philippines, it signaled a pivotal moment for aiming for serious, in-depth news and current affairs.

For the state-owned and controlled media entities (PTV and IBC), an urge to change their paradigms and compete with them. 

But did it work out well?

We are now past the midpoint of 2021 — the first full year without the trailblazer, a time to restore from the effects of the pandemic and a resolution to adapt to better normal and reformation of their respective image. 

For the TV industry, is there life after Mother Ignacia? If so, how would we rate them?

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Crossing the Bridge of No Return, One Year After


(NOTE: This post serves as Quarterly Open Pit No. 16. Consider this as my candid confession post; it’s hard to hold your silence but this has to be done.)

The Bridge of No Return crosses the Military Demarcation Line (MDL) between North Korea and South Korea. The name comes from the final ultimatum that was given to prisoners of war brought to the bridge for repatriation. Once they crossed the bridge, they will never go back, even if they later changed their minds.

FIFTY-TWO TUESDAYS AGO, the Philippine media industry has inevitably crossed the metaphorical bridge of no return amidst the new normal. The landscape of television has shifted forever and many of us — including yours truly — will be remembered and be traumatized.

While some audacious politicians say they’re not affected by that. It truly did. It affected not just the mental health of both those who are laid off and those who remained with more heavier workload. It also affected the job prospects (not just for Mass Communication graduates but also for Electronic Communications Engineering) and felt the chilling effect of government agencies like the National Telecommunications Commission (NTC) when it comes the overall progress of digital terrestrial television (DTT) transition and the Movie and Television Review and Classification Board (MTRCB) on their revenue stream.

While some enforce callously for closure and healing (babang luksa) tomorrow after a year, its wounds are still fresh in their inerasable memories.

While the sore winners say it’s “no big deal,” it unfolded to be a consequential move, especially in the far-flung areas.

Since the start of this year (2021), I cannot utter the name of the former TV network or its corresponding nickname anymore — and I euphemized them —  because saying its name is a “mortal sin.” Not to mention, I glaringly omitted their programs and/or described them indirectly. (Reminder: I didn’t include their teleseryes because it’s not our policy, enforced before 2020, to tackle upcoming and ending teleseryes in detail.)

I have imposed a “Give Chance to Others” Policy; the answer of why I’ve done that will be tackled after.

Come tomorrow, they’ll celebrate this as the “Day of Thanksgiving” with prideful taunts on the other side while ignoring their errors. In this post, I’ll tackle two invectives you probably hear from them and how I appropriated them with the current progress.

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